Own a Digital SLR? Learn how to really use it!


SLR cameras are great.  But so often now I meet people who own an SLR who only use it on ‘auto’ mode, a trend that seems to be getting ever more popular. Is it that people think that a big professional looking camera must surely be better because it costs more money?  OK to be fair, an SLR camera on auto mode might take slightly better photos than a compact (a bigger and better image sensor and a huge choice of lenses are two things that immediately spring to mind).  But to me, the differences are slim and probably not worth the hassle of lugging around a much bigger camera for theslightly better photos that will essentially look the same.

The thing is, photography is an art form and as a photographer, you are the artist.  But to be an artist, you must be able to create or control the image that you are taking; and this is my point.  SLR cameras on auto mode will do an acceptable job of taking a photograph but the camera doesn’t know what you want the end result to be – what should be in focus? How much should be in focus? Is there any movement? If so how should this movement be captured? All these key points are lost on ‘auto’ as the camera will just take an image the way it wants! In short, the camera will pick some settings but will not be able to think or create and, as a result, may not convey the image or emotion that was in your mind.

This all might sound a bit dramatic but my point here is simple. By learning some basic camera settings and getting of 'auto' mode, YOU control everything in the photo just the way you want. If a part of the image is important then YOU can choose to have this part in focus and nothing else, YOU can control how to capture movement and, to some extent even how fast you want to make it look! In short, you choose how the image will look and you become the artist.

Doing all this is really not as difficult as you might think.  If you went out and bought a digital SLR, you probably did so in the hope that you will be able to take the photos that you want and become the artist.  But you’ll only do this if you take the step learn.  Go on…..become the artist you thought you were and learn - use that camera to its full potential!

Click on the LEARN tab above to find out how, in just a day, you can begin to understand photography and finally get off auto mode!

ONE PLACE left on SLR for Beginners this Sunday

Hello all, just a quick note to say there is now just one place on the the Digital SLR for Beginners Course at Mill Green this Sunday.  To book your place drop me an email and I'll reply with confirmation and payment details.





Busy weekend coming up...

Looking forward to a busy weekend of photography; I have a shoot this morning for a small business in Welwyn Garden City, then a 21st Birthday Party booked for Saturday night, on top of that lots of editing and production work as well as arranging photography courses for the next six months (details of the new courses now on this site).

Quick slot in the studio

It seems I've struggled to find time recently to do my 'own' photography, so took some time last week to get out and take photos just for fun - after all its what I enjoy so much.  I even found a couple of hours to take my youngest to the studio for some fun pics to update the family albums. 







SLR camera stuck on AUTO mode?


SLR cameras are great.  But so often now I meet people who own an SLR who only use it on ‘auto’ mode, a trend that seems to be getting ever more popular. Is it that people think that a big professional looking camera must surely be better because it costs more money?  OK to be fair, an SLR camera on auto mode might take slightly better photos than a compact (a bigger and better image sensor and a huge choice of lenses are two things that immediately spring to mind).  But to me, the differences are slim and probably not worth the hassle of lugging around a much bigger camera for the slightly better photos that will essentially look the same.

The thing is, photography is an art form and as a photographer, you are the artist.  But to be an artist, you must be able to create or control the image that you are taking; and this is my point.  SLR cameras on auto mode will do an acceptable job of taking a photograph but the camera doesn’t know what you want the end result to be – what should be in focus? How much should be in focus? Is there any movement? If so how should this movement be captured? All these key points are lost on ‘auto’ as the camera will just take an image the way it wants! In short, the camera will pick some settings but will not be able to think or create and, as a result, may not convey the image or emotion that was in your mind.

This all might sound a bit dramatic but my point here is simple. By learning some basic camera settings and getting of 'auto' mode, YOU control everything in the photo just the way you want. If a part of the image is important then YOU can choose to have this part in focus and nothing else, YOU can control how to capture movement and, to some extent even how fast you want to make it look! In short, you choose how the image will look and you become the artist.

Doing all this is really not as difficult as you might think.  If you went out and bought a digital SLR, you probably did so in the hope that you will be able to take the photos that you want and become the artist.  But you’ll only do this if you take the step learn.  Go on…..become the artist you thought you were and learn - use that camera to its full potential!


Take Better Photos With Your Compact Camera


Planning on a new compact camera for Christmas?

Don’t just buy the camera, learn how to REALLY use it…

Occasionally, I go away and have what I call a ‘camera holiday’.  What this means is that I take a break to a nice place and only take a small compact camera rather than take an SLR, various lenses, and all the kit that goes with it.  That said, I always take loads of pics (as always) with the compact and am normally left thinking how great simple compact cameras have become these days.   Sure there’s limitations to a good photographer, but you can still get some great photos and control more than you think.

For this reason I’ve just launched a new course entitled, ‘Take Better Photos With Your Compact.’  This half-day workshop is aimed at those who don’t have (and might not want!) an SLR camera but just want to take better photos and understand their camera a bit more (ideal if its new camera – perhaps for Christmas?).  As with all my courses, this one will be hosted locally in the beautiful surrounds of Mill Green and will be fun, informal, and informative. 


The two photos in this blog post demonstrate my point; both taken whist out biking on Saturday using a simple compact smaller than my phone. Adopting some basic knowledge around composition and using light creatively can capture a striking image without the need for big and expensive cameras!





If learning your SLR is more your thing, click on the LEARN tab above to see available dates for SLR courses. 

Learn photography in Welwyn Hatfield



Hello everyone, its been a few weeks in the making but after lots of queries and a little planning with the helpful people at Mill Green, I'm pleased to finally announce an exciting new series of one day photography workshops in Welwyn Garden City.

Aimed at beginners and improvers, the courses will take place in the beautiful setting of Mill Green Museum and Mill which is the perfect setting to learn photography.  There's a great training room plus the site boasts its own working mill and gardens which you can wonder round to try out your new found skills.  Don't worry if it's freezing cold or even raining as there's plenty of space in the warm to have a short wonder and take pics without even going outside.

The new one day photography courses will take place from January 2013 onwards and will make an ideal Christmas present for someone wanting to learn photography locally (special Christmas gift vouchers available on request!)

There are two courses available to book now: 

Digital SLR photography for beginners 

Digital SLR photography for improvers


To book your place or find out more just Get in touch for a chat



At the zoo

A quick pic of the Lemurs next to the waterfall - taken at the zoo in one of the areas where the animals aren't behind a fence or bars. The plan was to make the water look soft and show the flowing movement by using a slightly longer shutter speed (1/5 sec in this case) whilst holding the camera very still.  Thankfully the animals kept still during the exposure!



Perfect Panning

One thing I really love in photography is the variety of ways that you can use creative shutter speed to show movement.  There are many different ways to express movement in a photo but the one I'm going to briefly mention today is that of 'panning'.

Panning generally works best with subjects that are moving at a constant speed from side to side, like a car or a bike for example. The basic idea is that you pan (move) your camera to follow the moving subject, and take the photo whilst the camera is moving.  The result should be that the moving subject is sharp while the background is blurred - this draws the viewers attention to the moving subject and creates a fast sense of movement.




Get yourself in a place where you have a nice clear view of the moving subject, but ideally something in the background.  You don't want the background too busy but something blurred in the background does add to the feeling of movement.

To start, try a shutter speed of 1/30 or 1/60 of a second - if you're learning (or lazy) try using your camera's 'Shutter Priory' or 'Time Value' mode as this will adjust the other settings for you and allow you more time to practice this technique.

Track the subject smoothly as it approaches you, keep panning (moving) the camera and press the shutter smoothly down as the subject passes you but keep panning before, during and just after you take the photo.

Try a few and see what you get.  For very fast moving subjects you might need go slightly faster with the shutter speed, for slower moving, you might need to go slower.  Panning does take a little practice to get right - but I do think a little luck is sometimes involved too!

Interested in learning this a bit more with a trainer on hand to help? Panning and being creative with shutter speeds is covered on my photography one day workshop 'DSLR for improvers' - click on the tabs at the top of the page for more information on this course or Get in touch with me.

More on window lit portraits...

Following a few questions on my previous post on using the natural light from windows, I'll add a bit more...

Generally speaking, a larger window will produce a softer and more even light, don't use windows with direct sun shinning through as this will result in harsh lighting and will create unsightly shadows.  If you're able, try a couple of test shots and see how the light looks.  If the light is too harsh, ask the model to move back slightly which will give a softer light.

The photo below is slightly different to my last examples where the light was side on, here I got the model to position herself directly face onto the window which gives a very even light with less areas of shadow (other than under the lock of hair).  I positioned myself slightly to the side to enhance the composition and avoid a very 'flat' looking photo.


Photo: Canon 1D Mk III, 24mm - 105L IS lens, f7.1, 1/100sec @ 800 ISO


Interested in this? click here to read a 'Picture Correct' article on this subject

If you go down to the woods today...

Had a great morning on Saturday with Danielle and co to get some more photos of the boys.  With the bright sun (why does it only seem sunny these days when I'm out taking pics?) we went for a walk in the woods which gave us natural shade and some great natural backdrops.





A trip to the studio

This afternoon I found time to pop and see a friend who's recently opened a new studio.  I had a good look around the studio and, seeing as I had with me one beautiful boy (happens to be my son) and a 60D in the car, I couldn't resist having a quick go!  Even though my normal style is more geared towards natural outdoor shots and events, the studio was fantastic and I do love some of the images.




A train window for a soft box

I thought I'd share these pics I took of my boys whilst on the train to London recently - they're candid shots completely unposed (although thankfully I did happen to have a camera in my hand at the time!).

They demonstrate the great natural light you can get from people near windows without any flash or special lighting set up.  Think of windows as giant soft boxes, which normally give a nice even light source (so long as direct sun isn't shining through!).  Roughly speaking, the more a person faces the window the more even the light across the face and the more they are side on to the window, the greater shadow you'll get on one side.  Although you clearly can't adjust the brightness of a window, moving the subject gradually away will have the same effect - the further away from the window, the softer the light will become.




Just a walk in the park

Today a short afternoon walk and photo shoot in the park with Danielle and family.  The plan was to get some nice shots of Sam with a natural background rather than a studio set up.  As we left, the sky looked perfect with the sun nicely hidden behind the clouds to avoid harsh shadows.  Sadly in the few minutes it took us to walk to the park, Mr Sun had come out again; I dealt with this by looking for good areas of shade with natural, uncluttered backgrounds.  One of the pics is below, this one now has pride of place as a canvass on their living room wall!


Photo: Canon 5D with 24mm - 105L IS lens
f8, 1/250sec @ ISO 400


The colours of London by night

With the recent Olympics in London, many of the buildings and bridges around the river had some great lighting by night.  This produced some fantasic colours around the river which I thought would be a good opportunity to introduce a small group to night and low light photography.  

The principles of low light photography are actually quite easy to learn so long as you've grasped the basics of shutter speed and can use your camera on semi-auto or manual mode.  A tripod and a remote shutter release are normally needed for this type of photography to keep the camera dead still during the long exposures.  Although just for a bit of a trial, I took the few photos below while still holding the camera by hand - just using a (very) steady hand, a wide aperture and a lens with a good image stabiliser. 







Ring Ring - My first blog

So I've decided that after literally years of talking about photos, taking photos and, more recently teaching others how to take good photos, I finally decided to start a blog.  I'll blog from time to time to keep some record of what photos I'm taking, along with some notes for others to read on why I'm taking them and what I was trying to achieve.  I hope that those of you following this blog will soon get a flavour for my love of the camera, and also learn a few tips along the way.  

I'm happy to write some notes on any particular aspect of photography or explain something, so if you are interested, just ask and I'll see what I can come up with to help - and maybe post some of my own pics to demonstrate.

Just to get me started, I've posted a photo I recently took of a couple's wedding rings.  Rather than use a traditional studio set up, I used the top of a stone wall and natural daylight to add some texture to the background.  I tried the same shot in an indoor studio with a plain background, but this one looked the best (and was by far the easiest to set up).

I used a medium aperture (f11), but with the macro lens, this still gives a very narrow depth of field (look how the area behind the rings quickly goes out of focus).  This draws the viewers attention to the rings - after all, this is what the photo is of.  To me, this is a classic example of a photo that just looks better in black and white - good contrast and texture with plenty of detail visible on the rings.

Photo: Canon 1D Mk III
100mm macro lens, f11, 1/4 sec @ 400ISO